Artistry, detail, discovery: Ranna Gill’s new Kala Ghoda boutique

Ranna Gill has always designed with a cinematic eye. Her collections read like stories translated into fabric—romantic yet modern, steeped in craft yet globally relevant. The recently unveiled Autumn at Westbury was a perfect example: a moody ode to vineyards, manor houses, and European art museums, distilled into embroidered jackets, flowing tunics, and richly layered prints. For Gill, fashion is never just about what you wear—it’s about evoking a feeling, a moment, a world.

Now, that philosophy finds a new home in Mumbai.

Where culture meets craft

Kala Ghoda has long been Mumbai’s canvas for creativity — a district where heritage facades guard whispers of the past even as contemporary galleries reinvent the present. It is here that Ranna Gill has chosen to anchor her latest boutique, a space that reflects her own duality: timeless in craft, modern in spirit, and deeply attuned to storytelling.

“Kala Ghoda has always been synonymous with art, culture, and creativity,” she says. “The energy of the area resonates with our ethos of blending tradition with contemporary design.” It is a choice that feels almost inevitable—an address that mirrors the richness of her clothes, where painterly prints, hand embroidery, and modern silhouettes come together in harmony.

Inside, the boutique embodies restrained luxury: clean lines, soft palettes, and subtle textures form the canvas against which Gill’s pieces shine. There’s an edit tailored for the Mumbai woman—effortless separates, sculptural co-ords, festive occasion wear—each designed for a city that shifts from boardrooms to soirées with little pause. “Mumbai is bold, dynamic, and cosmopolitan,” she notes. “We wanted the curation to reflect that duality of tradition and modernity.”

Craft, storytelling, and the next step forward

Though her footprint spans Delhi, Pune, Bengaluru, Hyderabad, Ludhiana, and even Southampton, New York, the Kala Ghoda opening feels symbolic. If Delhi represents power and structure, Mumbai brings movement, creativity, and pulse. It is the perfect next step in Gill’s expansion, cementing her presence in India’s most cosmopolitan city while reaffirming her commitment to Indian artistry.

“Craft is at the heart of everything we do,” Gill explains. “Whether it’s hand embroidery, fabric manipulation, or print techniques, Indian artistry remains integral to our process.” Yet she frames this heritage in a modern idiom—clothes made for today’s global woman, balancing femininity with ease.

For Gill, physical retail is no longer just about shopping, but about connection. “Stores are becoming cultural hubs where customers can truly engage with the brand’s world,” she reflects. In Kala Ghoda, this comes alive: mannequins styled like installations, airy interiors recalling galleries, and an atmosphere that feels immersive rather than transactional.

She distills the space into three words: artistic, timeless, experiential. But in truth, it is more than that: a boutique that embodies the richness of craft, the fluidity of modern design, and the soul of a city that thrives on storytelling. For Gill, it is also personal. “I want people to walk in and leave not just with a garment, but with a sense of beauty, confidence, and joy.” And in Kala Ghoda, that vision becomes reality.

Also Read:
The New Heirlooms: Bridal Jewelry with a Personal Touch
Interview: Inaya: Manish Malhotra’s Ode to the Modern Indian Bride
From Mandap to Sunset Soirée: Tamannaah Bhatia in KALKI’s New Wedding Wardrobe

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